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Red Inkworks Synopsis and
SAMPLE Coverage
TITLE:
BOB'S YOUR AUNT
AUTHOR:
Karl Knowles
FORM/PAGES:
Script/120
GENRE:
Dark Romantic Comedy
CIRCA: Present Day
LOCALE: Small North Dakota village
BUDGET:
Low-Medium
READER:
Larry Myles
LOGLINE:
Suffering a bump on the head, a
young female script reader who thinks she is John Wayne
discovers love, life and redemption in a North Dakota vegan
restaurant-transvestite outdoor supply shop.
CONCEPT:
After suffering a bump on the head from an
air guitar, Lana Bland enters into a state of shock, and
thinks she is John Wayne. With a large purple plastic purse
full of under valued Canadian Loonies and counterfeit
Mexican Peso's, Lana finds recovery and love with a homeless
janitor.
STORY:
LANA BLAND, early twenties protagonist makes it to Sirloin
Sam's Vegan Bistro & Tranny's Only Outdoor Supply Shoppe,
located on the outskirts of a small Hutterite village in
North Dakota. Prior to entering Sirloin Sam's, Lana meets
WILLY and HILLARY, a pair of inept, petty communist
sympathizers who secretly adore Ayn Rand.
Prior to reaching Sirloin
Sam's there is an informative VO narrative flashback
describing the vicious bump on the head by a flying air
guitar. The air guitar hovers over Lana's head throughout
the story.
When the half-naked and
love starved Lana first enters Sirloin Sam's she confronts
GEORGIE, the slim and beautiful female impersonator, as well
as OCSCAR, shy genius, warm-hearted love interest, and SAM,
kindly, wise vegan chef. At the same time Lana is introduced
into the company at Sirloin Sam's, Willy and Hillary plot to
convert the village to communism while being secretly
frustrated by dreams of an Objectivist Utopia.
Oscar becomes intrigued by
Lana's ability to walk like John Wayne, while at the same
time a jealous Georgie is suspicious. Towards the end of the
scene, we are introduced to SNIDELY, the old
dishwasher-undercover Treasury Agent. His importance to the
overall story does not really become evident until we near
the climax.
Cut to the stolen trailer
shared by Oscar and Marvin, an outspoken, handsome and
poetic, floral arrangement student and Oscar's co-worker at
Sam's. An integral scene as Marvin confirms to us the
feelings Georgie has for Oscar. His strong character also
is a power in the next scene where he convinces Lana that it
is in her and Oscar's best interests for Lana to make
something of herself, i.e. Get a job modeling sandals!
Lana follows through and
we are introduced to three humorous situations before
landing a sandal model's job at Saddam's Sheep Boutique. The
first unsuccessful job is at a monastery where Lana attempts
to be an alter boy in drag. Followed by a job an usher in a
chic old age home for wayward duck hunters, where Lana is
robbed of her bag of money by a gang of aging tree planters.
Lana also fails miserably, losing a job in the microchip
industry after one day.
Back at Sam's, Lana
thwarts an attempted conversion to Marxism by Willy and
Hillary, and in so doing saves Georgie's new gold shoes.
Rebuffed by Oscar, Georgie
becomes involved with Marvin. The strength of Marvin's
character comes through once again as he is able to flesh
out the suppressed dreams of Georgie wanting to be every
pizza delivery boy's lover.
Looking for Oscar and
Lana, Marvin and Georgie encounter Willy and Hillary at the
monastery and once again are able to inadvertently thwart
another attempt by the pair to convert the staff to Marxism.
We are introduced to
SCOTTIE HOUGHTON, Lana's female, intelligent and talented
fly-fishing coach. It is Houghton's role to break Lana of
her habit of thinking she is John Wayne.
After a quiet night out
where Lana, Georgie and Marvin and are chased out of a Sheep
Herder's convention, Oscar and Lana spend the night
together.
After this critical scene,
Lana is back at Houghton's fly-fishing class determined to
succeed at breaking her habit of talking and walking like
John Wayne. Though it is her concern that if she stops
walking like John Wayne, Oscar will stop loving her.
From this point on, the
action picks up. Sam and Snidely are trapped by Willy and
Hillary and lectured on the merits of communism, resulting
in Sam being taken to Saddam's boutique for a new red white
and blue gardening jacket. Snidely tries to become a Moonie,
but is saved by Lana. Snidely confesses that he secretly
wants to become a policeman's valet. Georgie, Marvin and
Lana surprise Willy and Hillary naked in bed, reading lines
of Atlas Shrugged to each other and a game of scrabble
breaks out.
Oscar
realizes that he loves Lana, whether she thinks she is John
Wayne or not. They move in together and buy a working share
in Sirloin Sam's. Marvin marries Georgie and all the
characters become addicted to made for BBC movies and live
happily ever after.
COMMENTS
I found the setting and
ambience for BOB'S OUR AUNT well chosen. The main characters
were interesting and rich in dimension, full of redeeming
qualities and easy to care about. The writers have made the
four main characters likeable and sympathetic.
The strength is in Georgie
and Oscar. Marvin works well, but he shines ony when Georgie
is there to turn on the light. Lana is interesting and I
wanted desperately to root for her, but found her character
merely borderline. Casting Lana correctly is crucial. A
quirky actor can add to this character’s dimension and
depth. I also loved the idea of Lana's air guitar appearing
from time to time, but wanted it to be more of a presence in
the story.
The script on the whole is
engaging, quirky and full of zest. The pacing is quick and
the writers have sustained the levels of anticipation,
tensions and subsequent action. The story does not lack much
and the writers have successfully woven setting, terrific
characters, mood and pace.
The script can easily be
produced within a modest to middle range budget. This is a
character driven piece with no special effects and the
locations should be convenient to find. The production does
not demand big name stars, merely actors that are motivated
and good at their craft. All told, I would not be adverse to
shelling out the money to view see this in a theatre.
Recommend
Concept:
Excellent
Story: Good
Characters:
Excellent
Dialogue: Excellent
Pacing: Good
Structure & Logic:
Excellent
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